Interview with David Shore of "House" on FOX 5/10/12
This was a great call. As you can see below, I asked Mr. Shore if he regretted pairing
with Cuddy, and his answer was No, he didn't have regrets. He said that
people thought he shouldn't have, some thought they should have stayed
together, and some thought it was good the way it was, but all in all he
didn't have any regrets. It was just something that had to be done, he
Then I asked him if he could talk about any upcoming TV shows or
movies. He had already said he was going to take a break, and then work
some more TV aspects. What I really wanted to know was what type of TV
shows did he think he'd do or be involved with next, but I don't think
he understood the question that way. He said he'd be involved in TV
way or the other. He said that it would be different than House, but
would always be aspects of him involved in every thing he did.
FBC PUBLICITY: The House Conference Call
May 10, 2012/10:00 a.m. PDT
Moderator Welcome to the House Conference Call with David Shore. At this
time all participants are in a listen-only mode. We will be conducting a
question and answer session. As a reminder, this conference is being
I would now like to turn the conference over to Ms. Kim Kurland.
K. Kurland Hello, everyone. I just wanted to thank you for participating
in this call today. As everyone knows, we are ramping up towards the
series finale of House, which is going to air a two-hour finale event on
Monday, May 21st. We have a one-hour retrospective special entitled
ďSwan SongĒ, which is going to air at 8:00, and then the one-hour series
finale, directed by David, is going to be airing at 9:00. So if anybody
has any questions after the call feel free to e-mail me, Iím at
Julie, I think we can take the first question.
Moderator Weíll go to the line of Jamie Ruby with Scifivision.com.
J. Ruby First can you talk about the decision to have Wilson get sick?
D. Shore Yes. Itís one of those things, every year, a couple times a
year, we sit down and go, ďWhat do we do to these people? What
situations do we throw them into?Ē And itís all about which type of
situation can give rise to opportunities to explore the character of
House and to explore the characters around him. So a lot of ideas are
bandied about every year, and one of the ideas that was bandied about,
as we were pretty sure we were heading towards the end of the show, was
this idea, and it all fell into the category of challenging and
exploring the House/Wilson friendship.
I think thatís one of the things that weíve done very well on this show,
if I do say so, is the House/Wilson relationship. There are a lot of
explorations on TV of romantic relationships, and some are good and some
are bad. I think there are very few explorations of male friendship; not
just a wingman type friendship, not just an opportunity for humor, to
really explore two friends and their relationship. I think itís
something weíve done and done well that isnít done that often. Iím proud
of it. So it felt like a natural way toóit felt like the right idea to
explore as we headed towards the end of the series.
J. Ruby Looking back, when people look back, what do you want them to
most remember about the show years from now?
D. Shore The message I hope to be saying basically every week was this
was who this guy is and what he stands for. So itís really about the
character and what the character stands for, which is really the pursuit
of truth, the not just blindly following things, really asking yourself
what is reality here and what is the right thing to do. That search for
an objective truth is the thing that I fundamentally found the most
interesting throughout the life of the show.
Moderator Weíll go to the line of Kyle Nolan with NoReruns.net.
K. Nolan You had mentioned the relationship between House and Wilson.
Why do you think Wilson has remained friends with House despite all
those sometimes malicious mind games heís played on him over the years?
D. Shore I think thereís something clearly wrong with Wilson as well. It
kind of goes back to, Iím not sure how good an answer this is but I
think itís an interesting story, when we were casting Wilson. Robert
Sean Leonard was reading for the network and he came in and did a great
job, and the network wanted him to be a little kinder, a little nicer.
They wanted him to be the nice guy, just the nice guy opposite House,
and just to soften him. There was a bit of an edge to the way he was
Bryan Singer, who was directing it, went off to give him the note
outside the room, and Iím sitting there in the room thinking about it
going, ďI think thatís a bad idea. I think he canít be too soft; there
has to be something about this guy, something that would make him be
friends with House. There has to be a bit of an edge to him.Ē And I ran
out of the room to tell Bryan I donít agree with that note, and tell
Robert. And I tell them that, and as soon as I get it out of my mouth
BryDan goes, ďOh itís a terrible note. Itís a terrible note. Weíll have
him read it that way, weíll get him the part, and then weíll do it our
way later.Ē So weíve always been aware of the fact that there has to be
something about this character thatís a little broken, and I think there
K. Nolan With a finale entitled ďEverybody DiesĒ Iím assuming not
everyone will get a happy ending, but what kind of closure can we expect
for the series?
D. Shore Itís definitely an ending. Itís definitely an ending. I donít
want to say more than that. I donít want to say more than that. We never
do happy endings, but we also try not to simply do miserable endings.
Bittersweet is the most you can hope for from us.
Moderator Weíll go to the line of Mike Hughes with TV America.
M. Hughes Yes, you have this problem of unexpected success; I mean the
show just lasted for years and years. Kind of give us an example of what
it takes when you realize boy Iím really going to have a lot of episodes
to do, because youíve done the wild things with the shifting of the
staff and creating new problems and so forth. Just kind of tell us how
things happen when you decide you kind of have a long, long ways to go
D. Shore Well it was unexpected success. It remains unexpected success
somehow. Weíve always been driven by the idea of what interests us, and
maybe the fact that it was unexpected success, maybe the fact that we
succeeded beyond what we hoped for freed us up to just go, ďYou know
what this is what I want to do now. If it fails miserably thatís okay.Ē
But I think thatís the right way to do a show; I think you have to do
the stories that interest you and hope an audience likes it rather than
doing stories that you think the audience will like whether you like
them or not. I think there has to be something that you find compelling
and interesting, and then hopefully an audience will agree with you.
So I was never looking 80 episodes down the road. At most I was looking
10 episodes to 15 episodes down the road. You just sort of put your head
down and try and find new situations and new stories.
M. Hughes Okay. So now that youíve had a chance to do the retrospective
and to have House do some thinking in the last episode when you look,
having to do all the stuff with your head down so fast, when you look
back at the show now what surprises you about what the show has become
and about what House has become?
D. Shore The fact that Iíve got 24 people on the phone right now
listening to my answers to these questions surprises me. The most
fundamental surprise to me is that it has wound up being more than a
niche audience, although in this day and age you can have very large
niche audiences. Right from the beginning, from the time we cast Hugh, I
knew it was going to be a show that I would like. I thought maybe some
people who were a little like me would like it. I never imagined it
would get the following it has gotten, and the international following.
And just, yes, thatís kind of reassuring on many levels.
Moderator Weíll go to the line of Susan Young with Today.com.
S. Young I just want to say over the years House has done some pretty
reprehensible things. Was there anything that kind of gave you pause
even as you or your writing staff was coming up with it that something
you thought might have gone a little too far?
D. Shore No, not really. The saying within the writerís room, my words
of wisdom if you will, was the punishment doesnít have to fit the crime,
but there has to be a crime. As long as there was a motivation, as long
as there was a House-like motivation, which means not just
self-aggrandizement or self-enrichment, as long as it was ultimately
about solving that puzzle, which in turn meant getting somebody better,
pretty much anything went.
And I think maybe thatís why weó I know there was a real hue and cry
when he drove his car through Cuddyís wall, which was never intended to
cause her harm, it was meant to cause her home harm Ö he looked through
the window. But I think that might have beenóthat was an irrational act.
I thought it was a logical and motivated irrational act, but it was
still an irrational act, an irrational act from a rational man, which
was what we intended and why we had to pay a price the next year. But
that may have been why that act got more of a reaction than any of the
other, shall we say, reprehensible things he did.
S. Young Yes, because he came close to killing people, but heís come
closer than that.
D. Shore Yes. The other times he has come closer in an effort to save
lives. So there was no upside, I suppose, to driving that car except for
a satisfaction of lashing out.
Moderator Our next question comes from Paulette Cohn with Xfinity TV.
P. Cohn I was curious what do you think are the highlights of the series
and what you think you did that youíre sorry you did now that was kind
of a mistake?
D. Shore Oh, Iím not going to answer the second part of that question.
We made no mistakes. No, Iím sure we made mistakes. I know we made
mistakes. Itís one of those things, though, where you keep going and you
canít really assess it because thereís no point in that; you canít do it
over again. You make decisions, you make choices, and theyíre never
going to beówell youíre never going to know if theyíre the ideal
choices, but you make choices and you make the most of them.
There are things we did that Iím quite proud of. There are episodes we
did that Iím extremely proud of, and most of them, most of them. I think
the House/Wilson relationship I think from day one has been a great one.
I think constantly refreshing the show was a risky move, but Iím proud
of it because it worked more often than it didnít. I think the show,
itís a type of show which itís basically a procedural show, but it has
enough serialized elements that it could get tiresome, and Iím sure some
people believe it did. It didnít for me, so I think we kept it fresh
enough in giving new situations, which is sort of against the instincts
of a network show and Iím grateful to them for letting us do it.
Moderator Weíll move on to the line of Greg David with TV Guide Canada.
G. David So my question is, is there a particular character thatís been
especially gratifying to see evolve over the past eight seasons?
D. Shore Well first of all let me say Iím glad you asked that, because I
think the character of Dr. House has gotten a lot of attention and Hugh
has gotten a lot of attention, and I think rightfully soóheís fantastic.
I do think that that character doesnít work unless you surround him with
interesting and smart and complicated characters, and I think to some
extent in the media, and perhaps among the award shows, theyíve gotten
lost. I think they deserve a huge amount of the credit, every single one
Itís been interesting to watch all our actors, particularly the younger
ones, Jesse and Jennifer came back at the end, to watch Jesse grow up
really as an actor and as a human being. The others have just been a
pleasure, well theyíve all been a pleasure to watch since the beginning,
but Jesse and Jennifer are particularly young and then Olivia was young
as well. So itís been interesting watching them mature. So it sounds
like they were immature before, but they were actuallyóweíve been very
lucky in that regard; we had a very grown up set of actors on our show.
G. David Then just as a follow-up, looking forward instead of back
whatís next for you? Are you planning on diving back into TV or are you
going to take some time off?
D. Shore I will take the time to develop something new, so you wonít see
something from me in the fall. But I will take a breath, I will go home
a little earlier for a little while, but yes, I am planning on getting
back into the TV business.
Moderator Weíll move on to Marisa Roffman with GiveMeMyRemote.
M. Roffman What can you say about the decision to kind of take Chase out
of the equation a little bit for the last couple of episodes? I know you
said heís coming back, but at the end of last weekís episode he did
D. Shore Yes. He was asked to go do a pilot, and it happened right at a
time where we were considering this storyline that happened in the last
episode where he decides to move on. So it sort of worked nicely where
we were able to give himó We werenít sure what we were going to do, we
were on the fence about that storyline, and then we went, ďOh that
storyline seems really good now.Ē So we let him out to go do a pilot,
which I understand has now been picked up so youíll see him on TV in the
fall hopefully, I believe. Not with me, Iíll have nothing to do with it,
but youíll see Jesse still.
So it was all, to a great extent, we were moving towards the ending, we
were looking for ways to wrap up our stories, primarily the House/Wilson
thing was the focus, but we were aware that the supporting characters
also needed some element of closure in the broadest sense. And we didnít
want to throw it all into the final episode; it felt a little convenient
to have everything happen in the final episode. And Jesseís been with us
since the beginning so we decided to give him his own little ending
story, and I thought he was great.
Moderator Next question is from Krista Chain with TV MegaSite.
K. Chain I was wondering if you could tell us, you said that
you would be getting back into TV shows, can you tell us more about what
kind of shows you would like to do in the future?
D. Shore Well I donít want to just repeat myself. One of the great
things about this business, one of the tragic things about this
business, is you have to start over again, although then one of the
great things is you get to start over again all the time. So Iím looking
forward to exploring new characters, new show, new idea, new setting
probably. But I am who I am; there are going to be elements of me in
whatever I do, and one of the great things about this show was
channeling some of my own subconscious. I suspect that will sneak into
everything I do.
K. Chain Do you ever have any regrets about pairing up House with Cuddy?
D. Shore No, because Iím not big on regrets. Thatís not to say it was
perfect. I do fundamentally believe that we had to do it, and I know a
lot of people think we could have done it better, a lot of people think
we shouldnít have done it, a lot of people think once we do it we should
have kept them together. Itís been a bit of a lightening rod. I think it
was going to be a lightening rod no matter what we did. Iím not saying
we did everything perfect, Iím not saying we did things horribly either;
I think we did a lot of stuff really well. I think it was a difficult
thing to do at all. Well itís an impossible thing to do without getting
that sort of response.
But fundamentally, Iím rambling a bit, fundamentally we had to do it.
You canít have people just go on; you canít have sexual tension go on
and on and on and on. And it was there from the beginning and I enjoyed
working with it from the beginning, but at a certain point we had to put
Moderator Weíll go to the line of Jamie Ruby with Scifivision.com.
J. Ruby You talked about changing up the show a bit. Whenever you
basically recast a lot of the show, and you did it twice, were you
worried about how that would affect the fans and the ratings and
D. Shore I was, but not overly. I was aware that people would be
disappointed with some things. You have to make changes before people
are clamoring for changes, though. If people are asking for changes itís
too late. You have to have people a little bit upset. How you calculate
that I donít know. And I just think thatís the death of a show, too, is
to be driven by those considerations. If your audience doesnít like
something you should think to yourself, ďWell why donít they like
something? Is there something wrong here?Ē And if they like something
you should think to yourself, ďWhy do they like it? What am I doing
right here?Ē and deal with those issues. But you have to be driven by
the stories that you want to tell, you canít simply be responding or
there wonít be any real heart to those stories anymore.
J. Ruby Also, for the last episode that you directed is there anything,
without giving it away, that you can kind of talk about that youíre most
excited for the fans to see?
D. Shore Well itís about House assessing, at the end of this Mondayís
episode House is put into a very difficult position, and itís about him
assessing his future. Thatís all Iím saying.
Moderator The next question is from Kyle Nolan with NoReruns.net.
K. Nolan What was it like for you directing the final episode of this
series that you created and worked on for such a long time?
D. Shore Itís very weird. Itís one of those things where my answer isnít
as satisfying as Iíd like it to be, because directing is a very
all-consuming job and what you want to do there as youíre coming down
the final road is to just sit back and enjoy and let the wind flow
through your hair. And youíre directing, and youíre sitting there going,
ďI need to make this shot, how many hours do we have left in the day,
how many hours behind are we,Ē and youíre just constantly worried about
doing the job. So 98% of the time was just doing the job, and then 2% of
the time was our first AD would say, ďLadies and gentlemen, thatís a
series wrap on Mr. Jesse Spencer,Ē and you would go, ďOh my God, where
am I,Ē and you would react and you would take that moment. And then
somebody would say, ďWe have to get back to work; weíre an hour behind.Ē
K. Nolan And when the series first started did you have any sort of end
game in mind oró
D. Shore No, no, in my mind that would have been incredibly pompous. The
idea that this was going to last more than 12 episodes and that I could
plan an ending is just way too arrogant. Itís American network TV; I
fully expected it would just stay on the air and I would tell individual
stories about this individual until they told me I couldnít do that
Moderator Next question is from Diane Morasco with Morasco Media.
D. Morasco I was wondering did the direction of House change when the
players starting performing from the vision you conceptualized?
D. Shore Not really. The great thing about Hugh Laurie, from my
point-of-view, is that he and I have shared the same vision of this
character from day one. We read a lot of people and we met with a lot of
people and nobody seemed to get it, and then he came in and he was
House. If you watch his audition tape, which you can from the, I think,
season one DVD, he was doing the same thing then thatís doing now, and
it was without any direction, without any coaching. He put himself on
tape over in Africa and sent it into us, and he obviously was thinking
the exact same ways that we were. Itís been a wonderful collaboration
There have been some other characters where you go, ďOh that works or
that doesnít work, mainly that works,Ē but itís difficult in TV to do
too much of that, because you need to have your scripts ready and
planned out well in advance of when youíre shooting.
D. Morasco My other question is what three components do you believe
were most effective to endearing House to the audiences?
D. Shore What components? Three components; I have to single out three
D. Morasco Yes please.
D. Shore Well thereís an alchemy to these things, and Iím not sure you
can single out any component. He is who he is and people responded, and
I donít know if you took away anything what it would be. Itís Hugh
Laurieís eyes, itís the characterís sense of humor, and the fact that
heís a bit of a 15-year old boy, and a hundred other things.
Moderator Weíll go to the line of Greg David with TV Guide Canada.
G. David Just to go back to the finale episode, youíre directing it but
can you tell us who wrote that final script?
D. Shore Well as any great director would I give full credit to the
writers, which is me. I wrote it with Eli Attie and Peter Blake, who
were two of my long-standing writers on the show. We planned it out
sometime in advance and the three of us wrote it.
G. David Then just as a follow-up, are the returning characters, like
Thirteen and Masters and Kutner and Cameron, are they all being
introduced kind of organically into the storyline or did you guys have
to kind of mess with the storyline as you got confirmation that they
were able to return?
D. Shore We developed this idea months and months ago, the idea for this
final episode, which when you see it it will start to become clear, and
there were many things that I liked about this idea. It allowed us to
explore who he was and the nature of his character and sort of take a
look at who he is as a human value and his value as a human being. It
also allowed us to naturally bring back other people, and so I started
making phone calls.
K. Kurland I think we have time for one more question.
Moderator That comes from the line of Jamie Ruby with Scifivision.com.
J. Ruby After working on this show for so long whatís the thing that
youíve learned about yourself throughout the experience?
D. Shore Oh boy. I should have learned a lot of stuff right? Nobody
learns anything; you reach your emotional peak at age 18. I do know
there are some things Iím better at than other things, and that they
have become quite focused. I feel like if I were to say a positive thing
about me that I learned it would sound nasty and I feel like if I said a
negative thing about myself I just donít want to do that. But there are
probably negative things Iíve learned more than anything else.
K. Kurland All right, I think weíre going to wrap it up there. I wanted
to thank everyone for participating in this call. David, I donít know if
you have anything you want to say before we Ö?
D. Shore I want to thank all of you. You have helped make this the
success it was; you guys have helped bring an audience to us, youíve
supported us from very early on. If any of you didnít support us early
on then you can ignore this, but we had very good support from the media
and the critics right from the beginning, and Iím very grateful to it
because I really think that we grew slowly and I think your support
really helped make that happen, along with American Idolís support. But
I think all those things allowed me to do what Iíve dreamt of doing.
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